パネル2：Medium and Anamorphoses

・What Makes the Faciality in Japanese Cinema Stand Out（日本映画における顔の位置）／北野圭介（立命館大学）
・A Self-Portrait of Patti Smith（パティ・スミスの自画像）／當間麗（埼玉大学）
・Illustration, Daguerreotype, Film: Discourses on the Visuality of N. Gogol‘s
Language（挿絵、銀板写真、映画――Ｎ・ゴーゴリの言語の視覚性をめぐる諸言説）／乗松亨平（日本学術振興会特別研究員）

【コメンテイター】ミハイル・ヤンポリスキー（ニューヨーク大学）
【司会】佐藤良明（東京大学）

※英語によるセッション

A work of art comes into being from within the milieu where a variety of expressive mediums encounter one another-here we stay away from the term "media" that might refer to some sociological entity. In other words, all cultural practices are nothing other than the meetings and collisions of forces emanating from within mediums. With this in mind, a reading act that would bring to the fore the traces of such dynamically interacting forces will aptly be called an anamorphic one.
Our panel seeks such ana-morphe analyses, by which we mean the kind of analyses that would re-process and re-act the coming-into-being of a work of art back to where its "form" and "content" was still in the state of forming out of, as well as being formed by, forces in mediums. Each panelist will problematize what we feel has been "achieved" in a work of art, through looking carefully into the interfaces where voices, letters, visuals, bodies and more are intercrossing, affecting and transforming each other. (organized by Keisuke Kitano and Takahiro Nakajima (The University of Tokyo))